ESTERIO SEGURA
Artist Statement
In speaking about his work, "Hybrid of Chrysler" at the 57th Venice Biennale, a Chrysler with wings, Esterio calls the work "an invitation (for Cubans) to the magic of going beyond the limit of the waters of the island, to realize their own dreams with a symbol of success: the American limousine as an object of worship and idolatry, a sex symbol, a symbol of power. "
Esterio Segura graduated from the prestigious Instituto de Arte Superior in Havana and has been one of the city's most prolific artists during the last 3 decades. Utilizing a variety of media; from drawing and painting to sculpture, photography and installation, he reflects upon the complexities of contemporary Cuban society. Segura delivers his social critique with humor and satire, at times evoking controversy. Embracing pop culture, Afro-Cuban influences, religious iconography and eroticism, he celebrates the beauty and ingenuity of the island while challenging the barriers that isolate and separate its people.
"Crowded with fantastic ideas and strong images, Segura's work resonates with the angst of the Cuban people. Yet it is resolved in such a poetic way that the resilient beauty and creativity of life on the island is made clear." (Kathy Zimmerer, 2002)
Segura burst into the public consciousness in Cuba in the early 90s, with the release of Strawberry and Chocolate, the beloved Oscar-nominated film about a repressed young Communist and a charismatic gay artist, arguing over Segura’s sculptures, which fused Catholic and Marxist symbols to shocking effect.
Often combining images from religion, popular culture and politics, Segura is known for his wit and humanity. Cherry red hearts sprout wings, and vintage automobiles are converted into submarines, reflecting the conflicting desires for more freedom in his homeland, and sadness at witnessing loved ones depart for distant shores. A major installation of his flying hearts, called Goodbye My Love, was displayed in Times Square in 2012.
